ARTIST BIO
Francois “Fox” Pretorius is a South African artist based in Shenzhen, China, whose practice spans painting, printmaking, and mixed media. Working between abstraction and figurative abstraction, his work explores contemporary urban experience through recurring motifs, layered mark-making, and compressed spatial structures.
Originally trained in graphic design, Pretorius’ practice has evolved through a sustained engagement with monochrome abstraction, contemporary still life, and hybrid image-making processes. Alongside painting, he works extensively with linocut, polymer etching, and mixed media techniques that combine photographic, drawn, and text-based elements.
His work has been exhibited internationally at galleries and art fairs through solo and group exhibitions across Asia and South Africa, including exhibitions in Hong Kong, Shenzhen, Shanghai, Tokyo, and Pretoria. He lives and works in Shenzhen, where the layered spatial and cross-cultural dynamics of the contemporary city continue to shape his practice.
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ARTIST STATEMENT
Fox Pretorius’ work explores the unstable space between structure and interruption within contemporary urban life. Moving between abstraction and figurative abstraction, the works draw on everyday objects, architectural fragments, and recurring symbolic forms as compressed signals of memory, ritual, and psychological space.
Coffee devices, phones, fences, branches, and shifting spatial structures move through the works as recurring points of tension — systems holding together under pressure. Forms tilt, fragment, dissolve, and reassemble. Stability gives way to interference. Familiar objects become unstable markers of routine, signal, and contemporary experience.
Working primarily in monochrome and reduced palettes, Pretorius constructs images through layered mark-making, fragmented text surfaces, repetition, and spatial compression. Black Static functions as both a visual language and a conceptual construct — a space where signal and interference exist simultaneously, where clarity is interrupted by noise, and where structure remains in constant negotiation with instability.
For more in-depth writing on my work, check out the essay by David Gibson from Gibson Contemporary or visit the Immaterial Topographies page >>>
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Ever tried. Ever failed. Never mind. Try again. Fail again. Fail better.
- Samuel Beckett